With its proportional bandwidths, deeper cuts become increasingly more narrow and surgical, while larger boosts become tighter, more precise and note-like as they increase in intensity.Ī perfect complement to the master buss, and selected individual tracks Rather than simply applying a fixed EQ curve, the extent of your cut or boost breathes and dances along with your audio. With a layout reminiscent of the high-end Sontec and Massenburg EQs, LISA invites an intuitive, ears-first approach to sculpting your tone. Its program-dependent compression and expansion averages around a 3:1 ratio, or a selectable 10:1 ratio-both with a soft knee, and the option to change between slow, medium and fast settings for attack and release.ĭials in like an old school EQ, controls like a high-end compressor LISA employs a dedicated, modern opto compression circuit for each of its six bands per channel. Six bands of smooth opto compression and expansion Now you can take advantage of the character and workflow of this boutique mastering-grade hardware in the box. This exacting model of the original brings a new way of applying dynamic EQ to the digital domain. TOMO Audiolabs’ LISA is the only tool of its kind: An all-analog dynamic EQ, featuring a dedicated opto compressor cell for each of its 6 bands.
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